But then, the show asks “Miss me?”, and suddenly takes a startling alternate route, alienating itself from the Victorian setting almost altogether. The case is well told and unfolded – tensions rise as the impossibility increases and the gothic decoration is exploited for some lo-fi horror thrills. All the beats of their original meeting and bonding are re-done under the shadows of old London, complete with dank morgue and now fitting 221b furnishings. Even in mannerism, the episode has been cleverly mined to avoid editing character vernacular too much, allowing for as many favored regular punchlines as possible despite the 100 year jump.Īt first, the novelty of seeing the same gears turn in the period setting is gratifying, mostly because the episode begins before Holmes and Watson have met. Hudson is the chipper furniture to stretches in 221b and Amanda Abbington‘s Mary adds colour to deliberations between Watson and Holmes. Neither they nor their supporting cast are phased much by the timehop in setting Rupert Graves‘ Lestrade remains in service to Holmes while Una Stubbs‘ Ms. Now sporting a hefty moustache, Freeman‘s Watson is still the irreplaceable muse to Cumberbatch‘s brash and unneeding Holmes, the wisp of humanity that completes his sleuthing abilities. The Victorian veneer is neatly spread over the story, providing just the right balance of increased shadow and delightful dapper to the sets and costumes. Together, they venture through the dimly lit, slightly gothic annals of London in an effort to trap the ghost and find out who is behind the mask. Mostly.Īs was promoted in the lead up to the episode, Holmes and Watson are faced with a seemingly impossible case: a vengeful bride has returned from the dead to have her redemption. Free from the cliffhanger of season three, ‘The Abominable Bride’ is mostly an attempt at a singular delightful adventure with another quasi-supernatural case solved by the hapless Sherlock Holmes and Doctor Watson. ![]() Still killing time until the eventual fourth season, sure, but an event nonetheless. Though the series has become an event in the TV calendar thanks to a sporadic release schedule, ‘The Abominable Bride’ is an actual event. Same cast, setting, tone and film-making prowess, but with Victorian London as the backdrop as opposed to modern. In the spirit of Doctor Who, the latest adventure of BBC’s Sherlock is a Victorian-era spinoff from the main series – a Christmas special, of sorts.
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